Face time with an old friend
During my years of studying art history in college, one of the most memorable courses I took was a course on women artists. Anyone with any familiarity with the history of art knows that for a long time women artists were regularly omitted from the standard art history texts, so even in the mid-90s it was a pretty novel thing to have a class completely devoted to them.
One of the great female painters I "met" during that semester was a tremendously gifted artist named Romaine Goddard Brooks. Her biography fascinated me right away -- she had survived a horrible childhood (an abusive mother and a mentally ill brother were just part of the package) but went on to study painting and music in Europe and make a name for herself as an artist. Most of her paintings are portraits of people she knew, and she used a color palette similar to Whistler's. I remember being awestruck by her self-portrait the first time my professor showed it to us in class; it was so different to me than anything I'd seen up until that point. She painted herself against a gray sky and desolate buildings, dressed in mostly black with her eyes barely visible beneath a top hat. Though the setting and colors are bleak, she looks strong. Resolute, even. I fell in love with her then and there.
I devoured everything I could find about her and spent hours searching for images of her work. I wrote papers on her and am pretty convinced I read just about every word that had written about her. It got to a point that one of my art history professors would ask me, "Have you found out anything more about her?" whenever we would meet. (We both knew darn well who "she" was. He even put up her self portrait during my comps -- a requirement for graduation -- and said, "Now, this one might be a tough one for you..." with a gleam in his eye.)
As much time as I spent learning about Romaine, I never got a chance to see any of her work in person. When I was in Paris about ten years ago, I called one of the lesser museums that supposedly had one of her portraits in its collection, but my wretched French wasn't enough to get me confirmation as to whether or not it was currently on view. Her self portrait, I knew, was part of the collection at the Smithsonian Museum of American Art, but I never seemed to be in DC at a time when the museum was open.
Until today.
I'm in DC this week for work, and things wrapped up early enough with my client today that I was able to sneak over the museum for an hour or so. I searched high and low for Romaine's self portrait, and finally found it on an upper floor in the "visible storage" section. (Visible storage is a popular exhibition technique with many museums these days since it allows them to display more of their collection but at the same time protect it from too much wear and tear.)
I wept when I saw it. Seeing it in person was so much more powerful than all the times I've seen it in books, on slides, or on the internet. For one thing, I could get close enough to it to look into her eyes. They're definitely hiding in the shadow of her hat, but they're there, and today I feel like I truly met her gaze. The starkness of her color palette was made even more apparent for me, also.
There was a little bench in the aisle where her painting hung, so I sat with her for a while and let her look back at me from the canvas. I had to leave sooner than I would have liked, but as I left I whispered, "Good to see you."
Here's a link to Romaine Goddard Brooks' self portrait on the Smithsonian's web site. It goes without saying that the web version doesn't do the real one justice.





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